Romantic Comedy Marketing, The Us Factor
When you think of being amorous or humorous, where is the emphasis placed? This is not about the stress properly placed on a syllable, but identifying the personal satisfaction or goal that is involved with being amorous or humorous. I suspect most of us would logically put the emphasis on the amor/ love or the humor we desire or already have. But I want to suggest that the most powerful way to understand these two words is to put the accent on the “us.”
Surely love benefits me in a big way. Perhaps the best medicine for anyone is love they can taste, touch, see, smell or hear. For some of us, we can almost swim in it, be buoyed up by it and get lost in it. There is fabulous fulfillment therein. And while it obviously can be one-sided, it is ideally all about the “us” in amorous.
The same is true with humorous. We can laugh all alone, but isn’t the truest satisfaction in sharing laughter with others? You know how you come across a great piece of humor on the internet and you want to send the link to your list or print it and show it around? That is the “us” in humorous at work. (Pun intended.)
Now, what about the word “Prosperous?” You know where I am going. How can one person be “prosperous” and enjoy it without sharing it? One can hoard prosperity, but the odds are, they didn’t get there by their personal initiative alone. Others cooperated to make it possible. The prosperity belongs to some “us” and to truly enjoy it, it must be shared.
Last week, the topic was “Love Concentrate” a short treatise on “Focus.” While focus could be seen as a personal thing, I think the “us” is why we focus at Romantic Comedy Marketing. Just image what happens when the many, the “us,” focus on love, joy, commitment, sharing, supporting… It’s simply tremendous.
Please send someone you care about to our Romantic Comedy Marketing blog. www.romanticcomedymarketing.wordpress.com. It is free and it shows your principles of caring. Do it for yourself and for the “us” that makes your life harmonious.
copyright 2009 Rich Guy Miller